Resumen: El trabajo se centra en la lectura de Fantomas contra los vampiros multinacionales, obra de Julio Cortázar de gran complejidad, un híbrido que hasta el momento ha sido poco difundido. La obra presenta la problemática entre compromiso ético y compromiso estético, ya que se centra en la asistencia y participación de Julio Cortázar en las sesiones del Tribunal Russell y las violaciones a los derechos humanos en países latinoamericanos. La propuesta de lectura es la de considerar la relación de (...) lo ético y lo estético desde el concepto derridiano de suplemento. Es decir, lo ético no sería un elemento marginal, tampoco habría una jerarquización entre ambos. El suplemento implica un nuevo modo de pensar toda relación binominal.: This work focuses on the interpretation of Fantomas contra los vampiros multinacionales,a narrative of great complexity by Julio Cortázar, a hybrid that is not so well-known. The novel presents the problematic between ethical commitment and aesthetical commitment, since it is focused on the assistance and participation of Cortázar on the Russel Tribunal sessions and human rights violations in Latin American countries. The proposal for interpretation is to consider the relationship between the ethical and the aesthetical in light of the derridian concept of supplement. In other words, the ethical is not a marginal element, and there are no hierarchical differences between both. The supplement implies a new way of thinking about all binomial relationships. (shrink)

Notas al pie de Gaza es una novela gráfica del artista Joe Sacco en la que se retoma el conflicto palestino-israelí ya tratado en Palestina: En la Franja de Gaza. En esta obra se abocará a la investigación de dos matanzas cometidas el año 1956 en territorio palestino.. En este trabajo nos centraremos en el controvertido final de la novela, en la que Sacco, mediante una notable técnica gráfica, obliga al lector a convertirse en una de las víctimas de la (...) matanza de Rafah. ¿Es esta técnica válida o éticamente cuestionable? Para contestar a esta pregunta buscaremos orientación mediante conceptos descriptivos de Dominick LaCapra y de Judith Butler. Este ejercicio teórico previo nos permitirá retomar una evaluación crítica más serena y exacta. (shrink)

A vibrant portrait of four college friends-Iris Murdoch, Philippa Foot, Elizabeth Anscombe, and Mary Midgley-who formed a new philosophical tradition while Oxford's men were away at war.

This resourceful book presents an extensive approach to Mariology in the Middle Ages unifying Medieval, Franciscan and Marian reflections on the Virgin Mary as presented in the catholic tradition in Theology, Meditation, Art and Sermons.In the introduction, the General Editor of the Collection: The Medieval Franciscans, Steven J. McMichael, introduces Vol. 16, Medieval Franciscan Approaches to the Virgin Mary, Mater Misericordiae Sanctissima et Dolorosa. First, McMichael presents a perceptive résumé of each of the five sections of the book, (...) which he identifies as five different disciplines: early foundations of the Order, sermons and theological reflections, meditations, medieval art, and Franciscan preaching. He... (shrink)

'Philosophy in a world of women. I reflected, talking with Mary, Pip and Elizabeth, how much I love them.' Two brilliant young scholars uncover the major philosophical contributions of four women whose ideas could have changed the course of twentieth-century thought. Written with energy, expertise and panache, The Quartet is a page-turning blend of research and recovery, storytelling, and a call to arms. Iris Murdoch, Philippa Foot, Mary Midgley and Elizabeth Anscombe were great friends and comrades in the (...) intellectual trenches, rethinking the possibilities of moral philosophy when the men 'left the room' and taking on the establishment, ultimately embodied by President Truman. Mac Cumhaill and Wiseman bring these women out of the shadows and into vivid colour. (shrink)

Benjamin J.B. Lipscomb, The Women Are up to Something. How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics, Oxford University Press, New York, 2022, 326pp., ISBN 978–0–19–754107–4.

'What is Philosophy For?', by Midgley, Mary. London and New York: Bloomsbury, 2018. Pp. 1-223.

Elizabeth Anscombe, Mary Midgley, Iris Murdoch and Philippa Foot all studied at Oxford University during the Second World War. One of their wartime tutors was Donald MacKinnon. This paper gives a broad overview of MacKinnon's philosophical outlook as it was developing at this time. Four talks from between 1938 and 1941—‘And the Son of Man That Thou Visiteth Him’ (1938), ‘What Is a Metaphysical Statement?’ (1940), ‘The Function of Philosophy in Education’ (1941) and ‘Revelation and Social Justice’ (1941)—give a (...) foretaste of the conception of moral philosophy that he later articulated in A Study of Ethical Theory (1957). We identify aspects of his philosophical outlook and unusual treatment of method that likely shaped his teaching. We trace his influence in the work of Midgley, Murdoch and Foot, all of whom studied with him from Trinity Term 1940 until their finals in 1942. In the case of Anscombe, though she was briefly his student—he taught her Plato—she and MacKinnon moved in shared intellectual circles, and there is reason to think that some of the forces that shaped MacKinnon's outlook also shaped hers. The sketch we offer is incomplete—in particular, we are not able to do justice to MacKinnon's explicitly theological writings—but we hope to achieve three things. First, to go some way towards indicating the importance of the teacher MacKinnon to understanding the work of his better-known pupils. Second, to introduce a philosopher for whom the teaching of philosophy, practical ethics and metaphysical theory were deeply entwined. Third, to reflect on the relationship between, on the one hand, a conception of the practice and significance of metaphysics and, on the other, a view on the role and nature of philosophical teaching and learning. (shrink)

À voir la détermination avec laquelle Berthe Morisot nous regarde, nous pourrions penser qu’elle a trouvé facilement sa place d’artiste. Une palette est esquissée sur la gauche de trois mouvements tournants. Elle porte une fleur bleue à la boutonnière, « comme une décoration », dira Mallarmé, elle se tient droite, la tête tournée vers le spectateur, et elle nous regarde de ses célèbres yeux noirs qui ont tant fasciné Manet. Paul Valéry écrira d’ailleurs au sujet de ses yeux : (...) « Berthe Mo... (shrink)

"Les fleurs, c'est ma maison, ma maison, c'est une serre ; mon enfance, c'est un jardin ; mon futur, c'est un paradis terrestre..." Chez Jean-Marie Pelt, tout ramène au jardin : le jardin de l'enfance où son grand-père lui a transmis l'amour de la nature ; le Jardin d'Eden, où il a rencontré Dieu, la ville jardin en laquelle il a transformé la ville de Metz, le jardin Terre qu'il s'est donné mission de servir... Laissez-vous guider à travers les jardins (...) de Jean-Marie Pelt et découvrez l'un des grands éveilleurs de conscience de notre temps, un homme en qui vibre L'âme de la nature. (shrink)

Abstract‘[T]he “mainstream” of global governance has changed course’ and in so doing, might well have ‘outrun the standard tools of critical, progressive, and reform-minded international lawyers’, Fleur Johns wrote in 2019. It is especially the critical tools of ‘appeals to history, context, language [and] the grassroots’ in response to universalist planning that Johns sees absorbed in the turn to prototyping as a new ‘style’ of governance. In this article, we take on this observation and explore how the ‘lean start-up (...) mentality’ that Johns described has taken hold of tech-based climate governance. We base our reflections on the ‘Tech for Our Planet’ challenge that took place over 2021 and was showcased at the UNFCCC COP26 in Glasgow. While a turn ‘from planning to prototypes’ is observable, we question how exactly this ‘change of course’ affects the high modernist style of global governance and its critique by international lawyers. The ‘digital solutions for climate challenges’ that were showcased in Glasgow are indeed based on localized experiments with data science, thereby seemingly overcoming high modernist impulses towards universalist ideals. Yet, these experimental prototypes are developed with the ambition of being replicable and scaled up, to become a stack of tools deployable in any given scenario. This form of scaling up neither breaks with modernist aspirations based on technologically-mediated replicability—of moving the same logic inscribed in code to different sites and contexts—nor with a modernist understanding of knowledge as universal in its application. In our analysis, the determining feature is then not so much a matter of planning or prototyping in ideal type forms, but of replicability of knowledge production and scalability of technological know-how that underpin both planning and prototyping. Prototyping in the start-up space does not depart from, but rather reinscribes, a modernist representation of the human subject that forces its epistemological lens onto a world of nonhuman objects amenable to governance. Critical international lawyers’ toolkits must therefore be reconfigured with a focus on a governance style of disembodied knowledge production that runs through both planning and prototyping. (shrink)

L'article constitue la publication du décor peint des deux tombes de la nécropole de Kom el-Chougafa à Alexandrie. Ces deux tombes, creusées dans les parois d'une salle du second hypogée de Kom el-Chougafa, sont connues depuis le début du siècle, mais leur décor peint, en majeure partie effacé, n'a pu être rendu visible que récemment grâce à l'emploi de la lumière dans le spectre ultraviolet. Chaque tombe est constituée d'une niche qui se compose d'un sarcophage, surmonté de trois parois, et (...) d'un plafond. L'ensemble des parties était recouvert d'un enduit peint. La surface des trois parois est divisée en deux registres : le registre supérieur porte des peintures de style égyptien, tandis que le registre inférieur porte des peintures de style grec. Les scènes égyptiennes représentent, de gauche à droite, l'offrande du faucon (promesse d'immortalité), l'embaumement d'Osiris et la résurrection du dieu. Les scènes grecques, quant à elles, représentent, toujours de gauche à droite, Perséphone cueillant des fleurs avec ses compagnes, l'enlève ment de Perséphone, son retour du monde des morts vers celui des vivants. La correspondance des deux séries de scènes superposées est évidente, comme les têtes de Méduse et de Bès sur la partie/supérieure des pilastres. Différente du « style mixte » — personnages de style grec inclus dans une scène égyptienne — qui caractérise certaines représentations funéraires de l'Alexandrie impériale comme du Fayoum, cette combinaison iconographique est unique. (shrink)

Mac Cumhaill and Wiseman’s book about the formative years of four influential female philosophers is well-researched and timely, appearing shortly after Lipscomb’s (2022) on the same topic. They describe the lives of Elizabeth Anscombe, Philippa Foot, Mary Midgley and Iris Murdoch from 1938 to 1956, that is, from the last pre-war term at Oxford, where all four took a BA, to the term in which Anscombe defended her famous objection to "Mr. Truman’s Degree" at Oxford’s general assembly. Using a (...) wide range of sources, the authors paint a vivid picture of how the war shaped British universities and thereby the philosophical education of these four students. (shrink)

Timely and immersive, Metaphysical Animals tells the unlikely story of four young women philosophers. Mary Midgley (neé Scrutton), Iris Murdoch, Elizabeth Anscombe, and Philippa Foot (neé Bosanquet...

At no time in recent decades has more attention been paid to ethical issues in pregnancy. Particularly riveting—and alarming, to many—was the passage of Senate Bill 8, a Texas law banning abortion...

When Sartre arrives late to meet Pierre at a local establishment, he discovers not merely that Pierre is absent, but Pierre’s absence, where this depends, or so Sartre notoriously supposes, on a frustrated expectation that Pierre would be seen at that place. Many philosophers have railed against this view, taking it to entail a treatment of the ontology of absence that Richard Gale describes as ‘attitudinal’ – one whereby absences are thought to ontologically depend on psychological attitudes. In this paper, (...) I aim to make Sartre’s intuition respectable. What Sartre perceives is an absential location, only the boundaries of which are circumscribed by what Sartre is doing at that place: meeting Pierre. I explain how this Sartrean view, though not specifically attributable to Sartre, nonetheless honours some of the phenomenological data described, if a little opaquely, in Being and Nothingness. (shrink)

This chapter contains sections titled: What is Moral Status? The Moral Agency Theory The Genetic Humanity Theory The Sentience Theory The Organic Life Theory Two Relationship‐based Theories Combining these Criteria Principles of Moral Status Human Zygotes, Embryos, and Fetuses Are All Animals Equal? Machines and Artificial Life‐forms Conclusion.

I ask whether figure-ground structure can be realized in touch, and, if so, how. Drawing on the taxonomy of touch sketched in Katz's 1925 The World of Touch, I argue that the form of touch that is relevant to such consideration is a species of immersed touch. I consider whether we can feel the space we are immersed in and, more specifically, the empty space against which the surfaces of objects, as I shall urge, “stand out.” Harnessing M. G. F. (...) Martin's account of bodily awareness and touch, I defend a positive thesis, pace Graham Nerlich on whose The Shape of Space I otherwise rely, both to defend the supposition that empty space can in principle be felt and to argue that touching empty space is not a mere species of absence perception. Along the way, I defuse a causal worry that might be thought to arise in the case of touching empty space. (shrink)

While the demands for greater engagement in science in general and regulatory science in particular have been steadily increasing, we still face limited understanding of the empirical resonance of these demands. Against this context, this paper presents findings from a recent study of a potential participatory opening of the German Federal Institute for Risk Assessment, a prominent regulatory scientific organization in the field of risk governance. Drawing upon quantitative surveys of the public and selected professional experts as well as in-depth (...) qualitative expert interviews, we identify a general support for greater engagement in science-based risk assessment. However, we also find significant contestation concerning its potential enactment and its normative and strategic merit. Underlying these contestations, we identify the persistence of a normal view of science and decisionist understanding of risk assessment, which create conflicting legitimacy demands for BfR and other regulatory scientific organizations. Together with concerns about imbalances in the power to participate, especially in highly specialized engagement processes, these pose significant challenges for the institutionalization of more participatory practices. (shrink)

Edited by Marthe Chandler and Ronnie Littlejohn, this work is a collection of expository and critical essays on the work of Henry Rosemont, Jr., a prominent and influential contemporary philosopher, activist, translator, and educator in the field of Asian and Comparative Philosophy. The essays in this collection take up three major themes in Rosemont's work: his work in Chinese linguistics, his contribution to the theory of human rights, and his interest in East Asian religion. Contributions include works by the leading (...) scholars in Chinese philosophy in the Western world and Rosemont's close associates: Roger T. Ames, Bao Zhiming, Mary Bockover, Marthe Chandler, Ewing Y. Chinn, Erin M. Cline, Fred Dallmayr, Jeffrey Dippmann, Herbert Fingarette, Harrison Huang, Eric Hutton, Philip J. Ivanhoe, David Jones, William La Fleur, Ronnie Littlejohn, Ni Peimin, Michael Nylan, Harold Roth, Sumner Twiss, Tu Weiming, David Wong, with responses from Henry Rosemont, Jr. and a brief Reminiscence by Noam Chomsky. (shrink)

Given the high prevalence and dramatic impact of being bullied at school, it is crucial to get more insight into how teachers can reduce bullying. So far, few instruments have measured elementary teachers’ responses to bullying. This study investigated the validity of the student-reported Teachers’ Responses to Bullying Questionnaire. The factor structure and measurement invariance were tested across two educational contexts among fourth and fifth grade students from Italy and Belgium. Furthermore, associations between student-perceived teachers’ responses and students’ bullying behavior (...) were examined. Confirmatory Factor Analysis supported the predicted five-factor structure, distinguishing Non-Intervention, Disciplinary Methods, Group Discussion, Mediation, and Victim Support. A partial factor means invariance model was found, allowing for valid comparisons between the Italian and Belgian educational contexts. Significant associations were found between self-reported, but not peer-nominated, bullying behavior and most student-perceived teachers’ responses. (shrink)

The past 25 years have seen an upsurge of interest in the figure of Mary Magdalene, whose image has been transformed through feminist scholarship from penitent prostitute to prominent disciple of Jesus. This article documents another, non-academic, interpretation of Mary Magdalene – the image of Mary as goddess or embodiment of the female divine. The most influential proponent of this view is Margaret Starbird, who hypothesizes that Mary was both Jesus’ wife and his divine feminine counterpart. (...) The author suggests that feminist theologians/thealogians should be aware of this popular understanding of Mary; and consider what it is about Mary Magdalene as the sacred feminine/bride of Jesus/sophia that captures the public imagination in a way that other feminist christologies do not. (shrink)

Les arts de la ruse constituent un champ exploratoire où se tissent et se recroisent des pratiques tant réflexives que non-réflexives: des tactiques animales de chasse ou de camouflage aux adresses agiles de scientifiques pour construire des théories pertinentes. Michel de Certeau, jésuite érudit, au carrefour des tournants linguistique et pragmatique de la fin du XXe siècle, a travaillé ce tissage insolite de pratiques à travers les sciences humaines, questionnant et braconnant tour à tour les ruses du théoricien et celles (...) de l'objet qu'il convoque : l'historien et le passé, l'ethnologue et la culture, le sociologue et le quotidien, le théologien et la mystique... L'étendue et la diversité des thèmes rigoureusement abordés par cet auteur inclassable lance un jeu d'adresses à ses lecteurs : Michel de Certeau nous demande à notre tour de ruser, autrement dit de saisir l'occasion de transformer le champ du savoir en évitant de tomber de Charybde en Scylla. Pour relever ce défi et y inviter, à leur tour, les lecteurs, cet ouvrage propose un "tango philosophique", danse par excellence d'une ruse permanente entre technique sophistiquée de pas et improvisation envoûtée, à partir des traces de pieds nus, laissés par Michel de Certeau, sur le bord de nos savoirs conquérants. Cette étude développe une expérimentation épistémologique des sciences humaines contemporaines. (shrink)

Mary Daly had a complicated relationship to the Catholic tradition. While it is commonly assumed that she rejected it thoroughly, this article offers a more nuanced look at the various ways in which it shaped her thinking. What is clear is that she had a decisive impact on the Catholic tradition, indeed on religion in general. Language about the divine, images of deities, human participation in things spiritual will never be the same after her thorough-going feminist critique. Her legacy (...) is multi-faceted like the woman herself. (shrink)

El presente trabajo tiene como objetivo describir la funcionalidad discursivo-pragmática de sujetos adultos mayores sanos y con demencia leve, en sus aspectos de coherencia y coherencia pragmática, a través del análisis de producción lingüística oral, de ambos grupos, mediante la tarea denominada “monólogo audible” del protocolo MetAphAs. La muestra fue seleccionada de la base de datos NEUROLEN, en la cual se eligieron 9 sujetos sanos y 9 sujetos con demencia leve. Los datos fueron analizados desde una perspectiva de investigación cualitativa (...) descriptiva, con base en la funcionalidad discursiva-pragmática y la comparación con el marco teórico disponible. Los resultados arrojaron diferencias significativas en el desempeño de ambos grupos de senescentes. A pesar de presentar fallas en la producción del lenguaje a causa del envejecimiento fisiológico, los adultos mayores sanos son capaces de desarrollar comunicación funcional con su entorno, no ocurre lo mismo en el caso de los sujetos con demencia, debido a su deterioro cognitivo, el cual generaría dificultades en la producción discursiva. (shrink)

Secondly, there is the approach of Augustine. Augustine focusses his original attention on the fact of understanding of immaterial substances, and thus can be said to begin his investigation of the soul with a conception of the soul as a substance separate in itself, apprehending universals in an immediate and direct act. Augustine, and the philosophers in this tradition, face the reverse of Aristotle's problem, for they must try to account for the fact of sensation with which he began, and (...) they must explain why the soul troubles to animate the body at all, why it operates at all through the medium of the body. (shrink)

Inspired and in honor of the work of noted political theorist Mary P. Nichols, the essays in this volume explore political ideas and implications in a range of works of philosophy, literature, and film from classical antiquity to the present day, creating an interdisciplinary conversation across genres.

This selection is an argument for the pharmacology of cannabinoids. It also provides a phenotypical account of the botany of cannabis.

This essay explores the legacy of the four philosophers now often referred to as ‘The Wartime Quartet’: G.E.M. Anscombe, Iris Murdoch, Philippa Foot and Mary Midgley. The life and work of the four, who studied together in Oxford during the Second World War, is the subject of two recently published books, The Women Are Up to Something, by Benjamin Lipscomb, and Metaphysical Animals, by Clare Mac Cumhaill and Rachael Wiseman. The two books show us how Anscombe, Murdoch, Foot and (...) Midgley became friends united in their hostility to the logical-positivist orthodoxy of the day and its deleterious influence on Oxford moral philosophy. And we see how their friendship had a formative influence on their subsequent—highly distinguished—careers, so that it is possible to discern, if not exactly a school of thought, then various common themes, ideas and concerns, which are expressed and developed in contrasting ways. While Lipscomb represents the work of the Quartet as of largely historical significance, my paper defends what I take to be Mac Cumhaill and Wiseman's position that their legacy is very much a living one, containing insights that are not just of enduring relevance, but can transform how we see ourselves and how we do philosophy. For Mac Cumhaill and Wiseman, the key idea shared by the members of the Quartet is to place the concept of life at the centre of philosophical attention. This commitment has at least four dimensions: (i) an interest in the ordinary; (ii) a focus on virtue, goodness and human flourishing; (iii) an affirmation of our animal nature; (iv) recognition of the normative landscape that structures our lives. I try to bring out the philosophical significance of these themes in a way relevant to the philosophical elucidation of education. (shrink)

Philosophers have traditionally concentrated on the qualities that make human beings different from other species. In _Beast and Man_ Mary Midgley, one of our foremost intellectuals, stresses continuities. What makes people tick? Largely, she asserts, the same things as animals. She tells us humans are rather more like other animals than we previously allowed ourselves to believe, and reminds us just how primitive we are in comparison to the sophistication of many animals. A veritable classic for our age, _Beast (...) and Man_ has helped change the way we think about ourselves and the world in which we live. (shrink)